![]() Our waiter was very irritated that we kept getting ignored and didn't understand what the problem was. We were the last ones in the entire arena to get our drinks. ![]() We had finished our meals and half the show before she decided to take our drink orders and was a bit rude about it. Our waiter called the drink waitress over to our table multiple times, never came. Then all the kids and parents ran up to the performers and started taking pictures and talking so our visit was cut VERY short, even though we paid extra and others did not. They finally came over to us, but our friend missed it. Our friend had to use the bathroom after waiting forever. And for the meet and greet, they went to the wrong people. Also a meet and greet by the performers and a free photo. As VIP you are supposed to get special seating, a choice of a wand, crown, sword and something else, which they were out of most so no choice, we got what we got and that was it. Splurged for the VIP tickets, what a waste that was. Was so excited to attend this show for my 40th birthday. Oh don’t worry about eating with your hands. It was a great time and I highly recommend it. Although we knew it was scripted, we found ourselves captivated by the sword fights and the incredible swinging and ducking so no one got whacked. The meal was soup,( pick up the bowl and slurp) buttery red potatoes, Cornish game hen( tastes like chicken), broccoli ( um well tastes like broccoli) a biscuit and an apple turnover. I’m an incredibly picky eater and I really don’t like to eat with my fingers so I was a bit concerned about the meal. We were in the Russia section and you find yourself building loyalty for that knight as the show progressed. My friend who is a horse guy commented on how well the horses were trained. The action was non-stop and the indoor pyrotechnics were an added bonus. But I had friends in from out of town and at their request, we went to this show. In addition, she is an advisor to the Raad voor Cultuur and a committee member of the Cultuurnota in Utrecht.As a local, I’m exposed to much of the Las Vegas culture to the point where I don’t see it anymore. ![]() Since 1992 she has been running ZID Theater with heart and soul. In her work she applies many of Barba’s philosophies and techniques. Spaić developed a passion for community art and non-western art forms. He is known for his experimental group theatre. Meanwhile, she specialised at the International School of Theatre Anthropology headed by Eugenio Barba from the Danish Odin Teatret. After her education she travelled around the world for a long time to make theatre everywhere. In search of more freedom, she moved to the Netherlands in 1984 to study at the Academy for Expression by Word and Gesture in Utrecht (currently HKU). Spaić was born and raised in Serbia where she pursued a very strict classical ballet training. And when allowed, ZID Theater would like to raise our glasses with you! Biography Karolina Spaić Making art continuously accessible to everyone is what drives her.ĭue to the Covid-19 crisis, the official ceremony has been postponed until further notice, but it will certainly happen. She runs ZID from backstage but is truly at home in all markets: from management to subsidy applications and from promotion to production. The inexhaustible love and boundless energy that she puts into all projects often remains underexposed. Spaić is overwhelmed, but mostly very happy with the award. Spaić is praised for her professional knowledge, social commitment and the apparent ease with which she involves people of all cultures. They came from people who often worked with Spaić for a long time or studied her work. Letters of recommendation for her award were received from all over Europe: from Belgium to Belgrade, Italy and many parts of the Netherlands. “It has not escaped the attention of the king that you have been working as an artistic director for many years in a difficult neighbourhood and that you always involve many volunteers.” Halsema indicated that Amsterdam has also been aware of this for years and that she will gladly make the title official with the renowned pin later in the year. She has been managing the theatre with an extensive international network from the Kolenkit neighbourhood in Amsterdam for 18 years.Īround 10 am this morning, Spaić received a phone call from Mayor Femke Halsema on behalf of the king. Spaić was awarded for her impressive work with ZID Theater. Karolina Spaić was appointed Knight in the Order of Oranje-Nassau on 24 April 2020.
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